{"id":21498,"date":"2011-11-01T23:57:03","date_gmt":"2011-11-01T22:57:03","guid":{"rendered":"http:\/\/www.jensunmack.dk:80\/wordpress-3\/?p=21498"},"modified":"2011-11-01T23:57:03","modified_gmt":"2011-11-01T22:57:03","slug":"jo-lou-mon-ikke-netop-de-har-hort-den","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/jo-lou-mon-ikke-netop-de-har-hort-den\/","title":{"rendered":"Jo de har, Lou"},"content":{"rendered":"

\"\"<\/a><\/p>\n

–\u00a0Metallica’s fans are threatening to shoot me, and that’s only because I showed up. They haven’t even heard the record yet, and they’re recommending various forms of torture and death.<\/strong><\/span><\/p>\n

Lou Reed, Metallica’s partner in crime p\u00e5 Lulu.<\/em><\/p><\/blockquote>\n

Pitchfork<\/a>\u00a0har ialfald h\u00f8rt det 90 minutter lange v\u00e6rk:<\/em><\/p>\n

<\/em>…By the time “The View” was released in\u00a0its full, five-minute ghastliness\u00a0– with Hetfield variously professing himself to be a table, a 10-story building and, possibly, the premier member of Philly hip-hop band\u00a0the Roots\u00a0– the Internet had all the evidence it needed to preemptively crown\u00a0Lulu<\/em>\u00a0the Worst Album of All Time.<\/strong><\/p>\n

For most of the record, Lou Reed and Metallica barely sound like they’re on the same planet, let alone in the same room; the album works neither as powerful rock music nor as an impressionistic soundtrack to a spoken narrative. Reed’s monotone remains unresponsive to what’s happening around him whether the occasion calls for full-torque thrash (“Mistress Dread”) or dreary acoustic mood pieces (“Little Dog”), while Lars Ulrich’s flailing fills during the breakdowns on “Pumping Blood” and “Frustration” are essentially drummerese for “what the fuck do I do with this?” But for all of Reed’s meandering, a-melodic verbosity, it’s actually Hetfield who sounds the most out of place here; beyond his self-parodic turn on “The View”, he contributes intrusive back-ups to the bar-band slog “Iced Honey” and the maddeningly repetitious “Cheat on Me” like someone in the back row of a class photo trying to mug his way into the frame.<\/strong><\/p><\/blockquote>\n

Og det har\u00a0Soundvenue<\/a>\u00a0ogs\u00e5:<\/p>\n

…James Hetfield punkterer Reeds ordflom med improviserede punchline-omkv\u00e6d. Det fungerer pletvist, men n\u00e5r han br\u00f8ler, at han er et bord (!) p\u00e5 ‘The View’ efterlades lytteren med en eneste tanke: Gu\u2019 er du r\u00f8v, James. Du har kun to ben og et \u00e5ndssvagt sk\u00e6g. Og f\u00e5 s\u00e5 t\u00f8jet p\u00e5 igen.<\/strong><\/p><\/blockquote>\n

Ogs\u00e5 v\u00e6rste album (+ pressebillede), anyone?<\/p>\n

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–\u00a0Metallica’s fans are threatening to shoot me, and that’s only because I showed up. They haven’t even heard the record yet, and they’re recommending various forms of torture and death. Lou Reed, Metallica’s partner in crime p\u00e5 Lulu. Pitchfork\u00a0har ialfald h\u00f8rt det 90 minutter lange v\u00e6rk: …By the time “The View” was released in\u00a0its full, … L\u00e6s videre Jo de har, Lou<\/span> →<\/span><\/a><\/p>\n