{"id":25834,"date":"2012-04-09T12:41:25","date_gmt":"2012-04-09T10:41:25","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=25834"},"modified":"2012-04-09T12:53:13","modified_gmt":"2012-04-09T10:53:13","slug":"praise-to-the-glory-of-loved-ones-now-gone","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/praise-to-the-glory-of-loved-ones-now-gone\/","title":{"rendered":"Praise to the glory of loved ones now gone…"},"content":{"rendered":"

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Producer Martin Hannett var en vigtig person i udformningen af post-punkens udtryk og \u00e6stetik. Som husproducer for Factory og specielt t\u00e6t tilknyttet Joy Division\/New Order, var det is\u00e6r hans rummeligt dybe reverb-vibrerende men kantede lydwastelands der signalerede fremtiden i en \u00e5rr\u00e6kke omkring sluthalvfjerserne\/startfirserne. Hannett kunne gennem sin produktion af et track s\u00e6tte sit umiskendelige fingeraftryk og tegne billedet af et nedslidt, forarmet England der var ved at falde fra hinanden. P\u00e5 den m\u00e5de var han langt mere end ‘bare’ en producer, da hans output ofte l\u00f8d mere af ham end af de bands der var p\u00e5 pladecoveret. P\u00e5 Martin Hannett’s d\u00f8dsdag i dag – \u00e5ret var 1991, \u00e5rsagen var stofmisbrug – her en passende hymne som markering, produceret af ham, indspillet af Joy Division som n\u00e6stsidste track p\u00e5 deres Closer<\/em> (1980).<\/p>\n

PS – Denne compilation kan i\u00f8vrigt anbefales, som en snapshothurtig og kronologisk rundtur i Martin Hannett’s world of sound:<\/em><\/p>\n

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01. Boredom – Buzzcocks<\/strong>
\n02. Cranked Up Really High – Slaughter And The Dogs<\/strong>
\n03. Jilted John – Jilted John<\/strong>
\n04. I Don’t Want To Be Nice – John Cooper Clarke<\/strong>
\n05. Dream Sequence 1 – Pauline Murray And The Invisible Girls<\/strong>
\n06. 11 O’Clock Tick Tock – U2<\/strong>
\n07. Transmission – Joy Division<\/strong>
\n08. Conduct – The Durutti Column<\/strong>
\n09. Electricity – Orchestral Manoeuvres In The Dark<\/strong>
\n 10. The Light Pours Out Of Me (Second Version) – Magazine<\/strong>
\n 11. In A Lonely Place – New Order<\/strong>
\n 12. Oh Lucinda (Love Becomes A Habit) – The Only Ones<\/strong>
\n 13. Nightshift – The Names<\/strong>
\n 14. The Last White Christmas – Basement Five<\/strong>
\n 15. Pretty In Pink – Psychedelic Furs<\/strong>
\n 16. Friendly Fires – Section 25<\/strong>
\n 17. Rebecca’s Room – Wasted Youth<\/strong>
\n 18. All Tomorrow’s Parties – Nico And The Invisible Girls<\/strong>
\n 19. Quick As Rainbows – Kitchens Of Distinction<\/strong>
\n 20. Wrote For Luck – Happy Mondays<\/strong>
\n 21. She’s A Rainbow – World Of Twist<\/strong><\/p>\n

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Producer Martin Hannett var en vigtig person i udformningen af post-punkens udtryk og \u00e6stetik. Som husproducer for Factory og specielt t\u00e6t tilknyttet Joy Division\/New Order, var det is\u00e6r hans rummeligt dybe reverb-vibrerende men kantede lydwastelands der signalerede fremtiden i en \u00e5rr\u00e6kke omkring sluthalvfjerserne\/startfirserne. Hannett kunne gennem sin produktion af et track s\u00e6tte sit umiskendelige fingeraftryk … L\u00e6s videre Praise to the glory of loved ones now gone…<\/span> →<\/span><\/a><\/p>\n