{"id":29038,"date":"2012-10-04T14:23:48","date_gmt":"2012-10-04T12:23:48","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=29038"},"modified":"2012-10-04T14:23:48","modified_gmt":"2012-10-04T12:23:48","slug":"men-samtidig-i-indien","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/men-samtidig-i-indien\/","title":{"rendered":"Men samtidig, i Indien&#8230;"},"content":{"rendered":"<p><iframe src=\"http:\/\/www.youtube.com\/embed\/9wZ5mB-Ndpw\" frameborder=\"0\" width=\"580\" height=\"435\"><\/iframe><\/p>\n<p>Det begyndte if\u00f8lge historieb\u00f8gerne med <em>The Belleville Three<\/em>, Juan Atkins, Derrick May og Kevin Saunderson, der i Detroit i begyndelsen af 1980&#8217;erne skabte technomusikken. Men samtidig, p\u00e5 den anden side af kloden, sad den indiske komponist Charanjit Singh, der ellers mest lavede musik til film. Han havde k\u00f8bt den dengang moderne Jupiter-synth, en Roland-bassequencer og en TR808-trommecomputer og brugte dem til at lave et helt elektronisk album, <em>Ten Ragas To A Disco Beat, <\/em>med melodimateriale inspireret af traditionel indisk musik. Albummet kom i 1982, blev spillet lidt i radioen i Indien og derefter skyndsomst glemt. Men Singh havde uden at vide det ramt ind i et lydunivers, der i mangt og meget minder om technolyden fra<em>The Belleville Three, <\/em>der f\u00f8rst slog igennem nogle \u00e5r senere. F\u00f8rst nu er dette album blevet genopdaget &#8211; og <a href=\"http:\/\/boomkat.com\/vinyl\/288726-charanjit-singh-ten-ragas-to-a-disco-beat\">genudgivet af BoomKat Records.<\/a> L\u00e6s ogs\u00e5 <a href=\"http:\/\/www.guardian.co.uk\/music\/2011\/may\/10\/charanjit-singh-acid-house-ten-ragas\">et interview med Charanjit Singh<\/a> hos The Guardian.<\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/men-samtidig-i-indien\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/men-samtidig-i-indien\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Det begyndte if\u00f8lge historieb\u00f8gerne med The Belleville Three, Juan Atkins, Derrick May og Kevin Saunderson, der i Detroit i begyndelsen af 1980&#8217;erne skabte technomusikken. Men samtidig, p\u00e5 den anden side af kloden, sad den indiske komponist Charanjit Singh, der ellers mest lavede musik til film. Han havde k\u00f8bt den dengang moderne Jupiter-synth, en Roland-bassequencer og &hellip; <a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/men-samtidig-i-indien\/\" class=\"more-link\">L\u00e6s videre <span class=\"screen-reader-text\">Men samtidig, i Indien&#8230;<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/men-samtidig-i-indien\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/men-samtidig-i-indien\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"author":498,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-29038","post","type-post","status-publish","format-standard","hentry","category-elektronisk"],"_links":{"self":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/29038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/users\/498"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/comments?post=29038"}],"version-history":[{"count":0,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/29038\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/media?parent=29038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/categories?post=29038"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/tags?post=29038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}