{"id":38571,"date":"2014-02-21T10:43:46","date_gmt":"2014-02-21T08:43:46","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=38571"},"modified":"2014-02-21T10:49:47","modified_gmt":"2014-02-21T08:49:47","slug":"lyden-af-bagsiden-af-amerika","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/lyden-af-bagsiden-af-amerika\/","title":{"rendered":"Lyden af bagsiden af Amerika"},"content":{"rendered":"<p>R.E.M.&#8217;s tidlige anmeldersucces banede vejen til Europa i startfirserne for en st\u00f8rre gruppe bands, hvis f\u00e6lles omdrejningspunkt var en musikhistorisk bevidsthed, der gik langt l\u00e6ngere tilbage end punken, samt en lyd b\u00e5ret af elektriske guitarer. The Rain Parade, Bangles, The Three O&#8217;Clock, Long Ryders, The Gun Club, The Replacements, og Let&#8217;s Active var blot nogle af navnene, som ogs\u00e5 inkluderede Los Angeles&#8217; The Dream Syndicate. P\u00e5 deres f\u00f8rste album <em>The Days of Wine and Roses<\/em> var Steve Wynn og co. Velvet U-inspirerede p\u00e5 den mest pigtr\u00e5dskr\u00e6ngende facon, hvilket besynderligt nok skaffede dem en stor pladekontrakt p\u00e5 A&#038;M Records, samt en name-pladeproducer. Sandy Pearlman (tidligere Blue \u00d6yster Cult\/The Clash) sad bag pulten ved n\u00e6ste album <em>The Medicine Show<\/em>, der udkom i sommeren &#8217;84 og i sin massive dog r\u00e5 lyd tegnede et andet uromantisk billede af USA&#8217;s bagside end Springsteen&#8217;s samtidige verdensplage-album form\u00e5ede. Her titelsangen fra albummet, der desv\u00e6rre slet ikke blev det h\u00e5bede gennembrud. Med nyheden om at et genforenet The Dream Syndicate g\u00e6ster Loppen,Christiania f\u00f8rste l\u00f8rdag aften i maj. Og s\u00e5 blev det ikke engang n\u00e6vnt, det er bandleader Steve Wynn&#8217;s f\u00f8dselsdag i dag&#8230;  <\/p>\n<p><iframe width=\"560\" height=\"420\" src=\"\/\/www.youtube.com\/embed\/lsmGNnLj300?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/lyden-af-bagsiden-af-amerika\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/lyden-af-bagsiden-af-amerika\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>R.E.M.&#8217;s tidlige anmeldersucces banede vejen til Europa i startfirserne for en st\u00f8rre gruppe bands, hvis f\u00e6lles omdrejningspunkt var en musikhistorisk bevidsthed, der gik langt l\u00e6ngere tilbage end punken, samt en lyd b\u00e5ret af elektriske guitarer. The Rain Parade, Bangles, The Three O&#8217;Clock, Long Ryders, The Gun Club, The Replacements, og Let&#8217;s Active var blot nogle &hellip; <a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/lyden-af-bagsiden-af-amerika\/\" class=\"more-link\">L\u00e6s videre <span class=\"screen-reader-text\">Lyden af bagsiden af Amerika<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/lyden-af-bagsiden-af-amerika\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/lyden-af-bagsiden-af-amerika\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"author":283,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,20],"tags":[],"class_list":["post-38571","post","type-post","status-publish","format-standard","hentry","category-blog","category-rocknroll"],"_links":{"self":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/38571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/users\/283"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/comments?post=38571"}],"version-history":[{"count":0,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/38571\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/media?parent=38571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/categories?post=38571"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/tags?post=38571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}