{"id":47302,"date":"2016-02-17T11:51:55","date_gmt":"2016-02-17T09:51:55","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=47302"},"modified":"2016-02-17T12:07:09","modified_gmt":"2016-02-17T10:07:09","slug":"manhattan-calling","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/manhattan-calling\/","title":{"rendered":"I’m so bored with the USA?!"},"content":{"rendered":"

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I aften\u00a0for 37 \u00e5r siden spillede The Clash New York City for f\u00f8rste gang. Med allerede to albums ude var det vel ogs\u00e5 p\u00e5 tide, det globale musikcentrum NYC kom i n\u00e6rkontakt med, hvad The Only Band That Matters<\/em> havde at byde p\u00e5. Showet foregik i The Palladium, et gammelt, prestigefyldt, siden nedrevet teater p\u00e5 sydsiden af East 14’th Street, der kunne tage et publikum p\u00e5 omkring 3.000, og som i slut-september samme \u00e5r i\u00f8vrigt skulle l\u00e6gge scene til det ber\u00f8mte London Calling<\/em>-coverfoto af Paul Simonon, igang med at frustrationssmadre sin foretrukne Fender P-bass. Det gjorde han ikke den l\u00f8rdag aften, 17. februar, 1979, hvor The Clash – efter opvarmningsset af f\u00f8rst The Cramps, s\u00e5 den lige nu HBO-Vinyl<\/em>-aktuelle rocknrollpion\u00e9r Bo Diddley – racede gennem f\u00f8lgende Pearl Harbour Tour-setliste, der som var det en selvf\u00f8lge startede med debutalbummets USA-kys, ‘I’m So Bored With The USA’. Det fine og s\u00e5 mods\u00e6tningsfyldte omkring Joe Strummer, Mick Jones, Paul Simonon og Topper Headon var jo, at de netop var alt andet end kedet ihjel af det USA, hvis heftige, mangfoldige kultur skulle inspirere bandet til absolut kreativ storhed over de n\u00e6ste tre \u00e5r…<\/p>\n

I’m So Bored With the U.S.A.
\nGuns on the Roof
\nJail Guitar Doors
\nTommy Gun
\nCity of the Dead
\nHate & War
\nClash City Rockers
\n(White Man) In Hammersmith Palais
\nSafe European Home
\nEnglish Civil War
\nStay Free
\nPolice and Thieves
\nCapital Radio
\nJanie Jones
\nGarageland
\nJulie’s Been Working for the Drug Squad
\nComplete Control
\nLondon’s Burning
\nWhite Riot
\nWhat’s My Name
\nCareer Opportunities <\/strong><\/p>\n

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I aften\u00a0for 37 \u00e5r siden spillede The Clash New York City for f\u00f8rste gang. Med allerede to albums ude var det vel ogs\u00e5 p\u00e5 tide, det globale musikcentrum NYC kom i n\u00e6rkontakt med, hvad The Only Band That Matters havde at byde p\u00e5. Showet foregik i The Palladium, et gammelt, prestigefyldt, siden nedrevet teater p\u00e5 … L\u00e6s videre I’m so bored with the USA?!<\/span> →<\/span><\/a><\/p>\n

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