{"id":53835,"date":"2017-10-31T23:59:03","date_gmt":"2017-10-31T21:59:03","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=53835"},"modified":"2017-11-01T00:15:04","modified_gmt":"2017-10-31T22:15:04","slug":"johnny-marr","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/johnny-marr\/","title":{"rendered":"Johnny Marr v\u00e6lger favoritsange"},"content":{"rendered":"

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Del Shannon – Keep Searchin\u2019 (We\u2019ll Follow The Sun) (Stateside B-side, 1964)<\/strong><\/p>\n

Johnny Marr: \u201cThe influence of [A-side] The Answer To Everything on me when writing Please Please Please Let Me Get What I Want is well documented so I picked its sister record, this time. It was the sound of the house when I was little.\u201d<\/p>\n

The Rolling Stones – Get Off Of My Cloud (Decca single, 1965)<\/strong><\/p>\n

Johnny Marr: \u201cThe main thing I took from Keith Richards was his musical ideology; that there is a nobility in playing rhythm guitar and being the engine room and steering the ship, all these very valorous concepts which he threw in the face of guitar culture in the early \u201970s.\u201d<\/p>\n

T.Rex – Metal Guru (T-Rex Wax Co. single, 1972)<\/strong><\/p>\n

Johnny Marr: \u201cIt\u2019s so beautiful and commercial but slightly weird and I could not believe what I was hearing because it was so all-encompassing. It connected with something beyond my regular senses.\u201d<\/p>\n

The Isley Brothers – Behind A Painted Smile (Tamla Motown B-side, 1969)<\/strong><\/p>\n

Johnny Marr: \u201cMotown provided a fantastic alternative to the rock music my mates were getting into. I ventured into this place called Rare Records on John Dalton Street in Manchester, I went into the basement and I remember to this day it was like a sea of future happiness.\u201d<\/p>\n

Iggy And The Stooges – Gimme Danger (Raw Power LP track, CBS 1973)<\/strong><\/p>\n

Johnny Marr: \u201cI remember getting on the bus and just staring at the front cover in disbelief all the way home. I wasn\u2019t disappointed when I played it because it sounded like I thought it would. It was mysterious, sexy, druggy, riffy and to-the-point.\u201d<\/p>\n

The Crystals – There\u2019s No Other Like My Baby (Philles single, 1961)<\/strong><\/p>\n

Johnny Marr: \u201cThere is an unpretentiousness to it, and compared to what was passing itself off as weird in rockland with prog music at the time this just sounded weirder to me, and it seemed to come from an odder dimension.\u201d<\/p>\n

Blondie – Hanging On The Telephone (Chrysalis single, 1978)<\/strong><\/p>\n

Johnny Marr: \u201cIt reminds me of going to parties and really complaining that I didn\u2019t want to hear Peaches by The Stranglers for the eleventh time and going through record collections with all that ELO shit in them and pulling out *Parallel Lines and going, \u2018Alright then, let\u2019s listen to this very, very loud!\u2019\u201d<\/p>\n

Bob And Marcia – Young Gifted And Black (Harry J single, 1970)<\/strong><\/p>\n

Johnny Marr: \u201cIt was one of the records that both Morrissey and myself liked in the same way. It reminded us both of being youthful fanatics and being outside of the norm\u2026 Then, amazingly, when [New Order\u2019s] Bernard Sumner and I started to get close we both discovered that we liked that record in the same way.\u201d<\/p>\n

The Equals – Black Skin Blue Eyed Boys (President single, 1970)<\/strong><\/p>\n

Johnny Marr: \u201cSome records you wear down and you wear out but this one\u2026 I remember it from being out from when I was a kid but unlike some of the other tracks I play, I don\u2019t listen to it for that reason, I like it because it reminds me of something shared between me and my mate.\u201d<\/p>\n

The Cribs – Hey Scenesters (Wichita single, 2005)<\/strong><\/p>\n

Johnny Marr: \u201cA fantastic working class street rock\u2019n\u2019roll 45 that could only have come from a band in this country. It\u2019s like, Move over, this is the new generation. The Jarmans are as hip as street musicians get from any generation.\u201d<\/p>\n

Paul Davidson \u2013 Midnight Rider (Tropical single, 1976)<\/strong><\/p>\n

Johnny Marr: \u201cAside from Keith Richards\u2019 on Gimme Shelter, Midnight Rider contains my favourite ever guitar solo.\u201d<\/p>\n

The Drifters \u2013 I Count The Tears (Atlantic, 1960)<\/strong><\/p>\n

Johnny Marr: \u201cIf you were to play this to the other members of The Smiths it would remind them of being in a band with me. I used to sing and play it on the guitar when we weren\u2019t recording and forced everyone to sing along. They learned to love it!\u201d<\/p>\n

(fra Mojo Magazine)<\/p>\n

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Del Shannon – Keep Searchin\u2019 (We\u2019ll Follow The Sun) (Stateside B-side, 1964) Johnny Marr: \u201cThe influence of [A-side] The Answer To Everything on me when writing Please Please Please Let Me Get What I Want is well documented so I picked its sister record, this time. It was the sound of the house when I … L\u00e6s videre Johnny Marr v\u00e6lger favoritsange<\/span> →<\/span><\/a><\/p>\n