{"id":55080,"date":"2018-02-09T00:22:59","date_gmt":"2018-02-08T22:22:59","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=55080"},"modified":"2018-02-09T00:22:59","modified_gmt":"2018-02-08T22:22:59","slug":"postpunkens-tabere-3","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/postpunkens-tabere-3\/","title":{"rendered":"Postpunkens tabere"},"content":{"rendered":"<p>For hver Joy Division, Siouxsie &amp; The Banshees, The Cure, Echo &amp; The Bunnymen, Bauhaus, you name them, som spillede sig ud af de lange overfrakker og ind i varmen, var der et utal af pladeudgivende postpunkbands, som ikke klarede cuttet og hverken fandt det publikum eller den opm\u00e6rksomhed, der blev arbejdet s\u00e5 h\u00e5rdt for. Tag nu bare London-bandet The Only Ones, der, trods en lille r\u00e6kke glimrende plader fra sidste halvdel af 70&#8217;erne til den \u00f8jensynligt uundg\u00e5elige opl\u00f8sning i 1982, er mest kendt for sin uheldige og ultimativt \u00f8del\u00e6ggende alliance med h\u00e5rde stoffer. The Only Ones&#8217; retrospektive claim to fame er vel singlen &#8216;Another Girl, Another Planet&#8217; (1978), en god eksponent for bandets egentlig ret traditionelle, Lou Reed-tro new wave-rock, og en drugrelateret sang, b\u00e5de The Replacements og Babyshambles siden har sat en \u00e6re i at spille live. Men det er ikke The Only Ones&#8217; singler men derimod deres tre studiealbums som st\u00e5r allerst\u00e6rkest. Udgivelsen man IMHO f\u00f8rst b\u00f8r ops\u00f8ge er dunkeltmelodiske <em>Even Serpents Shine<\/em> (1979), den sv\u00e6re men sublime toer, der i b\u00e5de st\u00e6rk sangskrivning og ditto stemningsladet spil st\u00e5r perfekt afrundet. Forsanger Peter Perrett topper her med den slags bitter-romantiske tabersange, der ogs\u00e5 sidste \u00e5r skulle g\u00f8re hans overraskende vellykkede solo-comeback <em>How the West Was Won<\/em> til s\u00e5 intim og givende en aff\u00e6re. Fra <em>Even Serpents Shine<\/em> her \u00e5bningssangen &#8216;From Here To Eternity&#8217;&#8230;   <\/p>\n<p><iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/MZn-iX1LJBg?rel=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe>   <\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/postpunkens-tabere-3\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/postpunkens-tabere-3\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>For hver Joy Division, Siouxsie &amp; The Banshees, The Cure, Echo &amp; The Bunnymen, Bauhaus, you name them, som spillede sig ud af de lange overfrakker og ind i varmen, var der et utal af pladeudgivende postpunkbands, som ikke klarede cuttet og hverken fandt det publikum eller den opm\u00e6rksomhed, der blev arbejdet s\u00e5 h\u00e5rdt for. &hellip; <a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/postpunkens-tabere-3\/\" class=\"more-link\">L\u00e6s videre <span class=\"screen-reader-text\">Postpunkens tabere<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/postpunkens-tabere-3\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/postpunkens-tabere-3\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"author":283,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,20],"tags":[],"class_list":["post-55080","post","type-post","status-publish","format-standard","hentry","category-blog","category-rocknroll"],"_links":{"self":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/55080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/users\/283"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/comments?post=55080"}],"version-history":[{"count":0,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/55080\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/media?parent=55080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/categories?post=55080"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/tags?post=55080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}