{"id":55461,"date":"2018-03-07T11:45:36","date_gmt":"2018-03-07T09:45:36","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=55461"},"modified":"2018-03-07T12:28:25","modified_gmt":"2018-03-07T10:28:25","slug":"philadelphia-calling-2","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/philadelphia-calling-2\/","title":{"rendered":"Philadelphia calling"},"content":{"rendered":"<p><a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/philadelphia-calling-2\/young-americans-a-side-tif\/\" rel=\"attachment wp-att-55462\"><img decoding=\"async\" class=\"size-full wp-image-55462\" src=\"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-content\/uploads\/2018\/03\/Young_americans.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-content\/uploads\/2018\/03\/Young_americans.jpg 300w, http:\/\/www.jensunmack.dk\/wordpress-3\/wp-content\/uploads\/2018\/03\/Young_americans-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>P\u00e5 denne dato i 1975 udsendte David Bowie sit ber\u00f8mte plastic soul-album <em>Young Americans<\/em>. Et Tony Visconti-produceret album der med overbevisning viste, Bowie som en anden kam\u00e6leon ikke havde noget problem med at kaste sin britiske kulturarv af sig, forsvinde bort fra kridhvid rock, og dukke op i igen ikl\u00e6dt farvet amerikansk Philadelphia-soul. H\u00f8rt herfra var albummet blevet langt mere helst\u00f8bt, havde Bowie ikke ladet sig forbl\u00e6nde af to sange han i 11. time indspillede i New York City med John Lennon. Den ene af dem, en cover af Beatles&#8217; &#8216;Across The Universe&#8217; er noget af det mest ligegyldige Bowie indspillede i 70&#8217;erne, den anden, &#8216;Fame&#8217;, en viderudvikling af The Flairs&#8217; &#8216;Footstompin&#8217;, blev Bowie&#8217;s f\u00f8rste nummer 1-single nogensinde i b\u00e5de USA og Canada, hvilket (desv\u00e6rre) g\u00f8r dens inklusion sv\u00e6r at argumentere mod. Men de to sange der blev skrottet p\u00e5 deres bekostning, majest\u00e6tiske &#8216;Who Can I Be Now&#8217; og den m\u00e6gtige ballade &#8216;It&#8217;s Gonna Be Me&#8217;, passer bare langt bedre til resten af albummets stemning som afs\u00e6t. Specielt sidstn\u00e6vnte skiller sig ud, med Bowie&#8217;s s\u00e5 overskudsagtigt indlevende vokallevering. Ikke meget &#8216;plastic&#8217; over hans nye soul der, nej.<\/p>\n<p><a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/philadelphia-calling-2\/0183d450f23720cf12e796371974b94e\/\" rel=\"attachment wp-att-55463\"><img decoding=\"async\" class=\"align-full wp-image-55463\" src=\"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-content\/uploads\/2018\/03\/0183d450f23720cf12e796371974b94e.jpg\" alt=\"\" width=\"560\" height=\"400\" \/><\/a><\/p>\n<p>Coverbilledet bliver skudt 30. august 1974 i Los Angeles af Eric Stephen Jacobs. Bowie har set Jacobs&#8217; portr\u00e6t af koreografen Toni Basil p\u00e5 forsiden af magasinet After Dark og vil have mere af det samme til sig selv. Det f\u00e5r han s\u00e5. En fantastisk evne til at v\u00e6lge ud og tilegne sig, Bowie viser p\u00e5 <em>Young Americans<\/em>, det b\u00e5de hvad indhold og cover ang\u00e5r. Talent borrows, genius steals.<\/p>\n<p>Her de to &#8216;tabte&#8217; <em>Young Americans<\/em>-sange, der f\u00f8rst dukkede op i disse tabte studieudgaver i 1991, da Rykodisc genudsendte David Bowie&#8217;s albums med tilh\u00f8rende bonustracks.<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/WbglSWA4s3U?rel=0\" width=\"560\" height=\"50\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/8EDEVts8Iw8?rel=0\" width=\"560\" height=\"50\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/philadelphia-calling-2\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/philadelphia-calling-2\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>P\u00e5 denne dato i 1975 udsendte David Bowie sit ber\u00f8mte plastic soul-album Young Americans. Et Tony Visconti-produceret album der med overbevisning viste, Bowie som en anden kam\u00e6leon ikke havde noget problem med at kaste sin britiske kulturarv af sig, forsvinde bort fra kridhvid rock, og dukke op i igen ikl\u00e6dt farvet amerikansk Philadelphia-soul. H\u00f8rt herfra &hellip; <a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/philadelphia-calling-2\/\" class=\"more-link\">L\u00e6s videre <span class=\"screen-reader-text\">Philadelphia calling<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/philadelphia-calling-2\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/philadelphia-calling-2\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"author":283,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,20],"tags":[],"class_list":["post-55461","post","type-post","status-publish","format-standard","hentry","category-blog","category-rocknroll"],"_links":{"self":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/55461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/users\/283"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/comments?post=55461"}],"version-history":[{"count":0,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/55461\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/media?parent=55461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/categories?post=55461"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/tags?post=55461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}