{"id":55502,"date":"2018-03-09T02:17:05","date_gmt":"2018-03-09T00:17:05","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=55502"},"modified":"2018-03-09T02:17:06","modified_gmt":"2018-03-09T00:17:06","slug":"nme-for-oejet","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/nme-for-oejet\/","title":{"rendered":"NME for \u00f8jet"},"content":{"rendered":"

Fra 1978-79 og frem er NME\/New Musical Express i nogle \u00e5r velsignet med to af tidens allerbedste rockfotografer, Pennie Smith og den unge Anton Corbijn. Gennem deres udfordrende arbejde, der ofte bliver featuret p\u00e5 grafisk flot opsatte forsider, er de med til at springe gr\u00e6nser og danne skole inden for moderne visuel rock\u00e6stetik. Corbijn’s f\u00f8rste m\u00f8de i august 1981 med technopopperne fra Depeche Mode resulterer i f\u00f8lgende forside. Siden bliver han og DM uadskillelige samarbejdspartnere, og bandets siden s\u00e5 st\u00e6rke visuelle profil kan kun tilskrives ham.<\/p>\n

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Fra 1978-79 og frem er NME\/New Musical Express i nogle \u00e5r velsignet med to af tidens allerbedste rockfotografer, Pennie Smith og den unge Anton Corbijn. Gennem deres udfordrende arbejde, der ofte bliver featuret p\u00e5 grafisk flot opsatte forsider, er de med til at springe gr\u00e6nser og danne skole inden for moderne visuel rock\u00e6stetik. Corbijn’s f\u00f8rste … L\u00e6s videre NME for \u00f8jet<\/span> →<\/span><\/a><\/p>\n

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