{"id":55563,"date":"2018-03-13T11:48:32","date_gmt":"2018-03-13T09:48:32","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=55563"},"modified":"2018-03-13T22:34:11","modified_gmt":"2018-03-13T20:34:11","slug":"introducing-porches","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/introducing-porches\/","title":{"rendered":"Introducing…Porches!"},"content":{"rendered":"

Porches er et enmandsprojekt bygget op omkring New York City’s Aaron Maine og hans take p\u00e5 synthbaseret popmusik. Tredje album The House<\/em> er netop blevet udsendt og derfra har vi den nye single ‘Goodbye. Vi lader undtagelsesvis The Strokes’ Julian Casablancas introducere den. Han blander i et nyt interview<\/a> i magasinet Vulture Porches ind i en st\u00f8rre diskussion om den systematiserede manipulation af forbrugerne, der skuffer ham voldsomt udfra det \u00e5benhedsl\u00f8fte internettets muligheder oprindeligt gav. Casablancas mener, der ikke er nogen grund i verden – udover alts\u00e5 aftalt corporate business – til, at f.eks. den bredt ukendte Ariel Pink ikke er mindst liges\u00e5 udbredt som…Ed Sheeran. Samt at mere kvalitetssp\u00e6ndende bands\/artister ville have et langt st\u00f8rre publikum, hvis ikke corporate-propagandaens n\u00f8je tilrettelagte t\u00e6ppebombning, algoritmer, playlists og andre medievindende tricks dikterede hvad mainstream skal v\u00e6re, samt hvor<\/em> meget dens udbredelse fylder i vores hverdag. Her er hvad han i samme \u00e5ndedrag siger om Porches:<\/p>\n

– I just thought of something. There\u2019s a song by Porches that just came out. I think it\u2019s called \u201cGoodbye.\u201d The end of that song is really powerful. The beginning almost sounds like Coldplay but from, like, a minute-thirty on it\u2019s very, very cool. In my opinion that\u2019s a song that would be more popular if we lived in a world where quality was being accurately peddled.<\/p><\/blockquote>\n