{"id":57711,"date":"2018-07-26T12:38:20","date_gmt":"2018-07-26T10:38:20","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=57711"},"modified":"2018-07-26T20:48:32","modified_gmt":"2018-07-26T18:48:32","slug":"grethe-synger-dusty","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/grethe-synger-dusty\/","title":{"rendered":"Grethe synger Dusty"},"content":{"rendered":"<p><a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/grethe-synger-dusty\/r-5511447-1454173444-8204-jpeg\/\" rel=\"attachment wp-att-57729\"><img decoding=\"async\" class=\"alignn-full wp-image-57729\" src=\"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-content\/uploads\/2018\/07\/R-5511447-1454173444-8204.jpeg.jpg\" alt=\"\" width=\"300\" height=\"600\" \/><\/a><\/p>\n<p>Eller mere pr\u00e6cist: I 1965 i Italien scorer Pino Donaggio et af \u00e5rets allerst\u00f8rste pophits med sin sydeurop\u00e6iske t\u00e5regranat &#8216;Io Che Non Vivo Senza Te&#8217;, et k\u00e6rlighedscentreret sorgarbejde p\u00e5 sm\u00e5 fire minutter, der med lethed n\u00e5r finalen af det \u00e5rs h\u00f8jtprofilerede Festival di Sanremo&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/N3W7qlMZTXY?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Ved den omtalte finale i Italien er Englands store popsangerinde Dusty Springfield tilstede. Hun falder for Donaggio-sangens heftige f\u00f8lelsesudladning, tager en vinyl-acetat med hjem at lytte p\u00e5, og aff\u00f8der inden for det n\u00e6ste halve \u00e5r id\u00e9en om en egen engelsk version af den sang, hun som engl\u00e6nder umiddelbart ikke har forst\u00e5et et eneste ord af. Det har hendes veninde Vicki Wickham eller The Yardbirds-manager Simon Napier-Bell heller ikke. Alligevel skriver de to lynhurtigt p\u00e5 kun \u00e9n aften den engelske tekst, som Dusty i Philips&#8217; studie ved Marble Arch i London 10. marts 1966 indspiller 47 (!) vocal-takes af, det ovenp\u00e5 en instrumental backing optaget dagen f\u00f8r. &#8216;You Don&#8217;t Have To Say You Love&#8217; med Dusty Springfield udkommer som single 25. marts og g\u00e5r nummer et, som et af Dusty&#8217;s st\u00f8rste hits nogensinde&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/YmoIywxxFFA?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Ovre i USA er Elvis Presley f\u00e5 \u00e5r efter h\u00f8j p\u00e5 sit Las Vegas-comeback, ulykkelig k\u00e6rlighed og speed. Han har l\u00f8bende orienteret sig i tidens hits og er vild med Dusty&#8217;s hjerteknusende version af &#8216;You Don&#8217;t Have To Say You Love Me&#8217;. Han inkorporerer derfor \u00a0i 1970 en uptempo-version i sit Vegas-show p\u00e5 Hilton International. Den udsendes samtidig i studieudgave, og Elvis f\u00e5r sig endnu et hit i b\u00e5de Nordamerika og Europa. Ja, selv Australien vil gerne lytte med. S\u00e5dan her sejler Pino Donaggio&#8217;s sang med Elvis som styrmand henover aftenerne i Las Vegas&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/U914MUX1uoc?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Og ringene spreder sig i vandet, selv helt til Danmark. I 1976 udsender Grethe Ingmann &#8211; <em>vores<\/em> store popsangerinde &#8211; det Leif Pedersen-producerede album <em>Gi&#8217; Mig Et Smil<\/em> p\u00e5 Metronome Records. Og d\u00e9r, med en overs\u00e6ttelse af en vis Poul Due, optr\u00e6der n\u00e6stsidst p\u00e5 side 1, pludselig en velkendt sang, nu kaldet &#8216;Du Kan Gi&#8217; Mig Hele Verden&#8217;. Overs\u00e6tterens talent for lyrik kan desv\u00e6rre nemt diskuteres. Det kan Grethe Ingmanns for at synge til geng\u00e6ld heldigvis ikke&#8230;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/07yM3COg4mE?rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/grethe-synger-dusty\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/grethe-synger-dusty\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Eller mere pr\u00e6cist: I 1965 i Italien scorer Pino Donaggio et af \u00e5rets allerst\u00f8rste pophits med sin sydeurop\u00e6iske t\u00e5regranat &#8216;Io Che Non Vivo Senza Te&#8217;, et k\u00e6rlighedscentreret sorgarbejde p\u00e5 sm\u00e5 fire minutter, der med lethed n\u00e5r finalen af det \u00e5rs h\u00f8jtprofilerede Festival di Sanremo&#8230; Ved den omtalte finale i Italien er Englands store popsangerinde Dusty &hellip; <a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/grethe-synger-dusty\/\" class=\"more-link\">L\u00e6s videre <span class=\"screen-reader-text\">Grethe synger Dusty<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/grethe-synger-dusty\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/grethe-synger-dusty\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"author":283,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,20],"tags":[],"class_list":["post-57711","post","type-post","status-publish","format-standard","hentry","category-blog","category-rocknroll"],"_links":{"self":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/57711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/users\/283"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/comments?post=57711"}],"version-history":[{"count":0,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/57711\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/media?parent=57711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/categories?post=57711"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/tags?post=57711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}