{"id":64613,"date":"2019-12-31T00:46:18","date_gmt":"2019-12-30T22:46:18","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=64613"},"modified":"2019-12-31T01:24:18","modified_gmt":"2019-12-30T23:24:18","slug":"aarets-sidste-vinylkoeb","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/aarets-sidste-vinylkoeb\/","title":{"rendered":"\u00c5rets sidste vinylk\u00f8b"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" src=\"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-content\/uploads\/2019\/12\/81dNBNrJBL._SY355_.jpg\" alt=\"\" class=\"wp-image-64614\" width=\"300\" height=\"300\" srcset=\"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-content\/uploads\/2019\/12\/81dNBNrJBL._SY355_.jpg 355w, http:\/\/www.jensunmack.dk\/wordpress-3\/wp-content\/uploads\/2019\/12\/81dNBNrJBL._SY355_-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The Cure&#8217;s Robert Smith spiller den svajende elektriske guitar p\u00e5 <em>Nocturne<\/em>, livealbummet fra Royal Albert Hall i London, hvor Siouxsie and the Banshees i efter\u00e5ret 1983, p\u00e5 toppen af bandets popularitet, viser hvor dragende majest\u00e6tisk postpunk ogs\u00e5 kan lyde. Da dbl-albummet udkom 25. november 1983 k\u00f8bte jeg det aldrig.  Pengene var f\u00e5, og livealbums ogs\u00e5 dengang som oftest uessentielle. M\u00e5ske det var en fejl, som der is\u00e5fald er rettet op p\u00e5 nu i dag med et velholdt engelsk f\u00f8rstetryk. Her startnummeret fra showet, 1980-singlen &#8216;Israel&#8217;, som Banshees g\u00e5r p\u00e5 med efter deres intromusik fra Stravinsky&#8217;s <em>For\u00e5rsofferet<\/em>&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><iframe title=\"Siouxsie and the Banshees - israel live 1983\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/EYJOq6VnV2U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>    <\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/aarets-sidste-vinylkoeb\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/aarets-sidste-vinylkoeb\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Cure&#8217;s Robert Smith spiller den svajende elektriske guitar p\u00e5 Nocturne, livealbummet fra Royal Albert Hall i London, hvor Siouxsie and the Banshees i efter\u00e5ret 1983, p\u00e5 toppen af bandets popularitet, viser hvor dragende majest\u00e6tisk postpunk ogs\u00e5 kan lyde. Da dbl-albummet udkom 25. november 1983 k\u00f8bte jeg det aldrig. Pengene var f\u00e5, og livealbums ogs\u00e5 &hellip; <a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/aarets-sidste-vinylkoeb\/\" class=\"more-link\">L\u00e6s videre <span class=\"screen-reader-text\">\u00c5rets sidste vinylk\u00f8b<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/aarets-sidste-vinylkoeb\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/aarets-sidste-vinylkoeb\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"author":283,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,20,22],"tags":[],"class_list":["post-64613","post","type-post","status-publish","format-standard","hentry","category-blog","category-rocknroll","category-turneliv"],"_links":{"self":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/64613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/users\/283"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/comments?post=64613"}],"version-history":[{"count":0,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/64613\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/media?parent=64613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/categories?post=64613"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/tags?post=64613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}