{"id":67537,"date":"2020-10-19T00:13:52","date_gmt":"2020-10-18T22:13:52","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=67537"},"modified":"2020-10-19T01:13:32","modified_gmt":"2020-10-18T23:13:32","slug":"olle-revisited","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/olle-revisited\/","title":{"rendered":"Olle revisited"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Pastoren talte i g\u00e5r om den svenske kultartist Jakob Hellmann&#8217;s 1989-albums betydning hinsidan for ikke mindst Kent og Olle Ljungstr\u00f6m, der begge debuterede f\u00e5 \u00e5r efter med nyskabende sanganvendelse af det svenske sprog. S\u00e5ledes ansporet til en biltur alene denne oktobers\u00f8ndag med en h\u00e5ndfuld Ljungstr\u00f6m-CD&#8217;s, jeg ikke har h\u00f8rt indg\u00e5ende siden hans alt for tidlige d\u00f8d for fire \u00e5r siden. Og hvilket fint genh\u00f8r det var. Ofte kan Ljungstr\u00f6m&#8217;s numre komme melodisk harske og n\u00e6rmest barnlige i deres trodsighed, men n\u00e5r han rammer den rigtige sang (!) til de s\u00e5 specielle Olle Ljungstr\u00f6m-undrende ord, leverer han som uskolet sanger blottet for distance nogle af de mest enkle, gribende fort\u00e6llinger, der er indspillet p\u00e5 svensk. Tag nu bare denne her, hvor Olle p\u00e5 en luftig musikalsk baggrund f\u00e5r malet en ensom, stagneret voksentilv\u00e6relse i sofaperspektiv hjertesk\u00e6rende op&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Kaffe och en cigarett\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/WH2iCVXamu8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/olle-revisited\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/olle-revisited\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Pastoren talte i g\u00e5r om den svenske kultartist Jakob Hellmann&#8217;s 1989-albums betydning hinsidan for ikke mindst Kent og Olle Ljungstr\u00f6m, der begge debuterede f\u00e5 \u00e5r efter med nyskabende sanganvendelse af det svenske sprog. S\u00e5ledes ansporet til en biltur alene denne oktobers\u00f8ndag med en h\u00e5ndfuld Ljungstr\u00f6m-CD&#8217;s, jeg ikke har h\u00f8rt indg\u00e5ende siden hans alt for tidlige &hellip; <a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/olle-revisited\/\" class=\"more-link\">L\u00e6s videre <span class=\"screen-reader-text\">Olle revisited<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/olle-revisited\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/olle-revisited\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"author":283,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,20,52],"tags":[],"class_list":["post-67537","post","type-post","status-publish","format-standard","hentry","category-blog","category-rocknroll","category-svensk"],"_links":{"self":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/67537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/users\/283"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/comments?post=67537"}],"version-history":[{"count":0,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/67537\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/media?parent=67537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/categories?post=67537"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/tags?post=67537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}