{"id":75095,"date":"2023-07-21T12:09:02","date_gmt":"2023-07-21T10:09:02","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=75095"},"modified":"2023-07-21T15:38:24","modified_gmt":"2023-07-21T13:38:24","slug":"75095-2","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/75095-2\/","title":{"rendered":"Vini Reilly forsvandt"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">En af de helt store guitarister p\u00e5 postpunkscenen er Vini Reilly, der med sit Manchester-band The Durutti Column udsendte noget af sin tids fineste og mest us\u00e6dvanlige musik p\u00e5 Factory Records. Men det er nu mange \u00e5r siden der er kommet nyt fra ham. Historier om psykisk sygdom og hjeml\u00f8shed har v\u00e6ret i frit oml\u00f8b. Dagens The Guardian tager sagen i egen h\u00e5nd og ops\u00f8ger Reilly, som de fleste m\u00e5ske udelukkende har h\u00f8rt via hans tydelige medvirken p\u00e5 Morrissey&#8217;s solodebut <em>Viva Hate<\/em> (1988). Og ja, skulle Johnny Marr endelig erstattes, s\u00e5 var Vini Reilly netop den lokale kapacitet der kunne g\u00f8re det. <a href=\"https:\/\/www.theguardian.com\/music\/2023\/jul\/21\/guitar-hero-vini-reilly-durutti-column-factory-records-interview?fbclid=IwAR0QJbd4uQ06mZYIDZLF34oU_qkzXkvoh3CB4lxL2k9O21g3RS7YOs5tOZU\">Guardian&#8217;s artikel kan l\u00e6ses p\u00e5 dette link<\/a>, Reilly&#8217;s magel\u00f8se musik h\u00f8res herunder&#8230;  <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Durutti Column &quot;Never Know&quot;\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/c2GFGsFdURU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/75095-2\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/75095-2\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>En af de helt store guitarister p\u00e5 postpunkscenen er Vini Reilly, der med sit Manchester-band The Durutti Column udsendte noget af sin tids fineste og mest us\u00e6dvanlige musik p\u00e5 Factory Records. Men det er nu mange \u00e5r siden der er kommet nyt fra ham. Historier om psykisk sygdom og hjeml\u00f8shed har v\u00e6ret i frit oml\u00f8b. &hellip; <a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/75095-2\/\" class=\"more-link\">L\u00e6s videre <span class=\"screen-reader-text\">Vini Reilly forsvandt<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/75095-2\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/75095-2\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"author":283,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,17,20],"tags":[],"class_list":["post-75095","post","type-post","status-publish","format-standard","hentry","category-blog","category-musik","category-rocknroll"],"_links":{"self":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/75095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/users\/283"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/comments?post=75095"}],"version-history":[{"count":0,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/75095\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/media?parent=75095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/categories?post=75095"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/tags?post=75095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}