{"id":75137,"date":"2023-07-23T20:36:00","date_gmt":"2023-07-23T18:36:00","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=75137"},"modified":"2023-07-24T01:06:39","modified_gmt":"2023-07-23T23:06:39","slug":"oppenheimer","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/oppenheimer\/","title":{"rendered":"Ang. Oppenheimer"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" src=\"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-content\/uploads\/2023\/07\/R-15494198-1593172036-7807.jpg\" alt=\"\" class=\"wp-image-75144\" width=\"300\" srcset=\"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-content\/uploads\/2023\/07\/R-15494198-1593172036-7807.jpg 600w, http:\/\/www.jensunmack.dk\/wordpress-3\/wp-content\/uploads\/2023\/07\/R-15494198-1593172036-7807-400x395.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">P\u00e5 <em>Okay Okay Boys<\/em> (1982), Klich\u00e9&#8217;s sv\u00e6re andet &#8211; og sidste &#8211; album er der to tracks der stilistisk skiller sig ud fra m\u00e6ngden. Dels brug-og-smid-v\u00e6k-nummeret &#8216;Bravo Charlie&#8217;, der ikke uden en vis ironi s\u00e6rt kunne lyde som det tidlige TV-2 der leger Klich\u00e9. Dels &#8216;Oppenheimer&#8217;s Formiddag&#8217;, noget s\u00e5 sj\u00e6ldent som en guitarbaseret Klich\u00e9-ballade, hvis sangskrivning og tonesprog synes anderledes traditionelt end normalt fra bandets  ukonventionelle st\u00e5sted.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Biografpremieren lige nu p\u00e5 Christopher Nolan&#8217;s store biopic om J Robert Oppenheimer g\u00f8r igen sidstn\u00e6vnte nummer relevant. Husker jeg aldrig selv dengang i 1982-83, da vi s\u00e5 rigtigt mange Klich\u00e9-shows rundt omkring, fandt stor gl\u00e6de ved &#8216;Oppenheimer&#8217;s Formiddag&#8217;. Genh\u00f8rt nu forst\u00e5r jeg ikke helt hvorfor, for det er jo faktisk en st\u00e6rk sang med sit fine omkv\u00e6d, der folder sig s\u00e5 mantra-gentagende ud, som altid i Klich\u00e9 sunget formidabelt i m\u00e5l af den dengang evigt sitrende Lars Hug. Hilmer var omvendt ret forelsket i sangen, pr\u00e6cis som han ogs\u00e5 p\u00e5 <em>Okay Okay Boys<\/em> is\u00e6r var det i instrumentalnummeret &#8216;IKB&#8217;, hvor hans eget uforlignelige guitarspil st\u00e5r s\u00e5 v\u00e6gtl\u00f8st i centrum. Oppenheimer bliver genoplivet gennem filmen lige nu, som han ogs\u00e5 blev det i efter\u00e5ret 1982 gennem disse toner og ord&#8230;  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><iframe title=\"Oppenheimers Formiddag\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/uGZyibyRyao?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>    <\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/oppenheimer\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/oppenheimer\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>P\u00e5 Okay Okay Boys (1982), Klich\u00e9&#8217;s sv\u00e6re andet &#8211; og sidste &#8211; album er der to tracks der stilistisk skiller sig ud fra m\u00e6ngden. Dels brug-og-smid-v\u00e6k-nummeret &#8216;Bravo Charlie&#8217;, der ikke uden en vis ironi s\u00e6rt kunne lyde som det tidlige TV-2 der leger Klich\u00e9. Dels &#8216;Oppenheimer&#8217;s Formiddag&#8217;, noget s\u00e5 sj\u00e6ldent som en guitarbaseret Klich\u00e9-ballade, hvis &hellip; <a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/oppenheimer\/\" class=\"more-link\">L\u00e6s videre <span class=\"screen-reader-text\">Ang. Oppenheimer<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/oppenheimer\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/oppenheimer\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"author":283,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,10,12,20],"tags":[],"class_list":["post-75137","post","type-post","status-publish","format-standard","hentry","category-blog","category-elektronisk","category-levendebilleder","category-rocknroll"],"_links":{"self":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/75137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/users\/283"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/comments?post=75137"}],"version-history":[{"count":0,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/75137\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/media?parent=75137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/categories?post=75137"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/tags?post=75137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}