{"id":86682,"date":"2026-05-27T23:05:26","date_gmt":"2026-05-27T22:05:26","guid":{"rendered":"http:\/\/www.jensunmack.dk\/wordpress-3\/?p=86682"},"modified":"2026-05-27T23:37:36","modified_gmt":"2026-05-27T22:37:36","slug":"return-of-the-durutti-column","status":"publish","type":"post","link":"http:\/\/www.jensunmack.dk\/wordpress-3\/return-of-the-durutti-column\/","title":{"rendered":"The Return of the Durutti Column"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Den udbredte opfattelse var efterh\u00e5nden blevet, at Manchester-guitaresset Vini Reilly, der som The Durutti Column p\u00e5 Factory Records udgav en h\u00e5ndfuld atmosf\u00e6riske <em>vibe<\/em>-albums af en anden sensitiv postpunk-verden fra 1980 og frem, men i dette \u00e5rtusinde har f\u00f8rt en udfordret tilv\u00e6relse pr\u00e6get af tre invaliderende slagtilf\u00e6lde, sv\u00e6r depression og \u00f8konomiske tr\u00e6ngsler, forl\u00e6ngst var tabt for musikkens verden. Derfor rammer det uventet og gl\u00e6deligt med dagens nye Durutti Column-single herunder, samt meddelelsen om et nyt album der udsendes 31. juli. S\u00e5 hvordan lyder Vini i 2026, hele 16 \u00e5r siden seneste udgivelse? Helt som han plejede, helt anderledes end han plejede. Musik kan.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Durutti Column - Liars (Official Visualiser)\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/FmKW0_UYSqk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/return-of-the-durutti-column\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/return-of-the-durutti-column\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Den udbredte opfattelse var efterh\u00e5nden blevet, at Manchester-guitaresset Vini Reilly, der som The Durutti Column p\u00e5 Factory Records udgav en h\u00e5ndfuld atmosf\u00e6riske vibe-albums af en anden sensitiv postpunk-verden fra 1980 og frem, men i dette \u00e5rtusinde har f\u00f8rt en udfordret tilv\u00e6relse pr\u00e6get af tre invaliderende slagtilf\u00e6lde, sv\u00e6r depression og \u00f8konomiske tr\u00e6ngsler, forl\u00e6ngst var tabt for &hellip; <a href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/return-of-the-durutti-column\/\" class=\"more-link\">L\u00e6s videre <span class=\"screen-reader-text\">The Return of the Durutti Column<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n<div class=\"fcbkbttn_buttons_block\" id=\"fcbkbttn_middle\"><div class=\"fcbkbttn_like \"><fb:like href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/return-of-the-durutti-column\/\" action=\"like\" colorscheme=\"dark\" layout=\"standard\"  width=\"225px\" size=\"small\"><\/fb:like><\/div><div class=\"fb-share-button  \" data-href=\"http:\/\/www.jensunmack.dk\/wordpress-3\/return-of-the-durutti-column\/\" data-type=\"button_count\" data-size=\"small\"><\/div><\/div>","protected":false},"author":283,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,10,20],"tags":[],"class_list":["post-86682","post","type-post","status-publish","format-standard","hentry","category-blog","category-elektronisk","category-rocknroll"],"_links":{"self":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/86682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/users\/283"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/comments?post=86682"}],"version-history":[{"count":0,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/posts\/86682\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/media?parent=86682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/categories?post=86682"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jensunmack.dk\/wordpress-3\/wp-json\/wp\/v2\/tags?post=86682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}