Eller rettere sagt ‘lyden af det unge Vejle i selvvalgt eksil, optaget i en to-værelses på Islands Brygge’. Vejles unge udbryder-søn Henrik Olesen var, som alle vi andre postpunk-typer da fra de fjerne provinsers stationsbyer, kommet ind med firetoget til København. Her er hans egen fortælling om – og præsentation af – den 7″er-EP, han aldrig udgav, men som i dag udgives digitalt:

 “1986. jeg bliver 20 år lige om lidt, og jeg er lige flyttet til københavn. mine nærmeste venner i den nye by er min bror peter og så jens, jeg spiller musik med dem begge. på mine besøg ude hos jens på islands brygge indspiller han og jeg indimellem nogle af mine små, nye sange på hans fire spors kassettebåndoptager. nogle af sangene kandiderer til at blive sange i peters og mit brødre-band (som jens også er med i), mens andre aldrig bliver det. jeg overvejer vist ikke for alvor at udgive sangene, men laver kassettebåndskopier, som jeg giver til 3-4 venner. set i bakspejlet kunne en lille håndfuld af sangene fra indspilningerne i disse år dog snildt have udgjort kernen i en lille udgivelse. således blev det ikke, men her flere årtier senere rådes der lidt bod på dette. i overmorgen udkommer således den lillebitte digitale ep ”songs from the living room” indholdende 3 sange fra en af vores sessions. sangene har før været digitalt tilgængelige, men aldrig samlet mastereret som her og som oprindeligt tiltænkt. det er små sange, det er lyden af fire spor, det er en tidskapsel fra en svunden tid. en dokumentation af de formative år og af unge mænd på vej. måske det endda er selve grundtonen, der her i ´86 slås an og foreviges på fire spor……..

Henrik Olesen: ”Songs From The Living Room” (ep)

Optaget på Tascam 244 fire spors kassettebåndoptager 1986

Welcome To My Life

Days Going By

Living Room

Henrik: Guitar & sang. Jens Unmack: Bas, Casio og rytmeboks

Coverfoto af Lotte Köhler, digitaliseret af Peter Bak

Mastering af Søren Vestergaard 2023

Nu tilgængelig på diverse digitale platforme og tjenester nær dig!“

Fra Manchester meldes The Smiths-bassist Andy Rourke her til morgen død, 59 år gammel. Det var hans distinkte bass-spil – så rytmisk velfunderet og overlegent melodibærende samtidig – der sammen med Mike Joyce’s trommer gjorde det muligt for Morrissey og Johnny Marr at lykkes så fornemt sammen med deres respektive talenter. Efter The Smiths’ opløsning fulgte en grim retssag, hvor de to i maskinrummet søgte økonomisk anerkendelse for deres kreative andel i et af de helt store og vigtige britiske bands. Og så? Jeg ved det faktisk ikke. Synes at huske noget år tilbage med et Andy Rourke DJ-set på en klub i København, samt et par halvbagte engelske nyheder om nye musikalske projekter – Blitz Vega…? – fra ham. Men det er The Smiths der altid vil stå lysende tilbage – tak for musikken, Andy!

Morrissey er til nu tavs omkring sin tidligere bandfælle, mens Johnny Marr på Insta har følgende fine update:

“Andy and I met as schoolboys in 1975. We were best friends, going everywhere together. When we were fifteen I moved into his house with him and his three brothers and I soon came to realise that my mate was one of those rare people that absolutely no one doesn’t like.

Andy and I spent all our time studying music, having fun, and working on becoming the best musicians we could possibly be. Back then Andy was a guitar player and a good one at that, but it was when he picked up the bass that he would find his true calling and his singular talent would flourish.

Throughout our teens we played in various bands around South Manchester before making our reputations with The Smiths from 1982 to 1987, and it was on those Smiths records that Andy reinvented what it is to be a bass guitar player.

I was present at every one of Andy’s bass takes on every Smiths session. Sometimes I was there as the producer and sometimes just as his proud mate and cheerleader. Watching him play those dazzling baselines was an absolute privilege and genuinely something to behold. But one time which always comes to mind was when I sat next to him at the mixing desk watching him play his bass on the song The Queen Is Dead. It was so impressive that I said to myself ‘I’ll never forget this moment.’

We maintained our friendship over the years, no matter where we were or what was happening and it is a matter of personal pride as well as sadness that the last time Andy played on stage was with me and my band at Maddison Square Garden in September 2022.
It was a special moment that we shared with my family and his wife and soul mate Francesca.

Andy will always be remembered, as a kind and beautiful soul by everyone who knew him, and as a supremely gifted musician by people who love music.

Well done Andy. We’ll miss you brother.

Johnny x“

The Smiths’ tromme-es Mike Joyce har nu reageret på Twitter:

“Not only the most talented bass player I’ve ever had the privilege to play with but the sweetest, funniest lad I’ve ever met. Andy’s left the building, but his musical legacy is perpetual. I miss you so much already. Forever in my heart mate.”

Og Morrissey er på sin Morrissey-Central-side også kommet på banen med en for ham sjældent imødekommende udtalelse om Andy Rourke. Først i døden synes The Smiths-medlemmerne alle at kunne finde en form for fælles accept af hinandens værdi igen. Det er trist, men bedre sent end aldrig…

“Sometimes one of the most radical things you can do is to speak clearly. When someone dies, out come the usual blandishments … as if their death is there to be used. I’m not prepared to do this with Andy. I just hope … wherever Andy has gone … that he’s OK. He will never die as long as his music is heard. He didn’t ever know his own power, and nothing that he played had been played by someone else. His distinction was so terrific and unconventional and he proved it could be done. He was also very, very funny and very happy, and post-Smiths, he kept a steady identity – never any manufactured moves. I suppose, at the end of it all, we hope to feel that we were valued. Andy need not worry about that.”

MORRISSEY“